In seven days

By Patrick La Roque

On day one, it was my birthday.

I ate popcorn at the movies with Jacob
then Szechuan back home,
take-out—but good take-out.
My daughter baked a lovely cake too.

All week I dreamt odd dreams
a dying fish, a sacred mountain
a film actress, from old teenage galaxies;
long gone.
I gave a talk at a camera club;
tried my new hammock;
started a new book;
drank tea.

On Saturday I mowed the lawn
for the first time this year.
On Sunday we had barbecue
for the first time this year.

And our world turned
a fresh, cleansing green
shades of a hushed revolution
in seven days.

Waypoints

Waypoints

Surry Hills, my suburb in Sydney, is a bit different to everywhere I've lived before.

The history of this area is much more visible, in the buildings and streets that surround me every day; and being so close to the centre of Sydney means I spend much more of my time walking from place to place, spotting little details that haven't changed in a hundred years or more.

So my mental map of this city, built up over the last five years of living here, is based on these markers, these waypoints - the old church, the loading dock, the grocer - that tell me how far it is home, where to turn, which block this is…

7x023

Bricked InDerek Clark | X-Pro2, 35mm f1.4. 1/1600 sec at f1.4, ISO 200

Bricked In
Derek Clark | X-Pro2, 35mm f1.4. 1/1600 sec at f1.4, ISO 200

Cockatoo Island
Robert Catto | X-H1, 18mm f/2. 1/60 at f/8, ISO 3200.

Just us, Sis
Jonas Rask | X-Pro2, XF50mm, f/8, 1/400, ISO 200.

LilithVincent Baldensperger | X-Pro2. | 56mm 1/125 at f/1.4, ISO 100.

Lilith
Vincent Baldensperger | X-Pro2. | 56mm 1/125 at f/1.4, ISO 100.

BudsPatrick La Roque | GFX 50S,  1/1250 at f/2, ISO 100.

Buds
Patrick La Roque | GFX 50S,  1/1250 at f/2, ISO 100.

EnduranceKevin Mullins | X-T2 with XF16-55mm Lens at 55mm 1/550 @ ISO 200 F2.8

Endurance
Kevin Mullins | X-T2 with XF16-55mm Lens at 55mm 1/550 @ ISO 200 F2.8

JulietteBert Stephani | GFX 50S, vintage Minolta Rokkor 58mm f/1.4 with Kipon adapter,  1/500 @ f/2, ISO 100

Juliette
Bert Stephani | GFX 50S, vintage Minolta Rokkor 58mm f/1.4 with Kipon adapter,  1/500 @ f/2, ISO 100

L'ÂME GRISE

BY VINCENT BALDENSPERGER

Maître de thé et artiste sensible aux multiples talents, Rizü Takahashi donne vie à la matière. Bercé depuis l'enfance par l'essence du wabi-sabi, il quitte un beau jour et par amour sa montagne de Mizunami et s’installe dans un petit village au cœur du sud-ouest de la France. Atelier, pavillon de thé et four traditionnel anagama, c’est un voyage au levant, une rencontre rare et inspirante, la découverte de l’Âme grise de la céramique japonaise…

Arthur's Seat

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PHOTOGRAPHY & TEXT BY DEREK CLARK

If you’ve watched the movie Trainspotting 2, you might have been wondering about the hill that characters Renton (Ewan McGregor) and Spud (Ewan Bremner) ran up. You know, the one with the spectacular view.

Arthur’s Seat overlooks Edinburgh but the view stretches out far and wide. It’s steep but doesn’t take that long to walk up and the rewards are plenty. The road and rail bridges crossing the River Forth, and beyond that the mountains surrounding Loch Lomond. Turn to the right and you can see the east coast of Scotland. Keep on turning and you will be looking out over the North Sea in the direction of Norway and Denmark (Not that you can see them).

So if you happen to visit Edinburgh in the near future, take a walk up Arthur’s seat. You will find it near the Scottish parliament building and although it might take a bit of effort, you won’t be disappointed.

And today we destroy familiarity

By Patrick La Roque

Because winter clings to existence and fragments persist
in being
the hidden structures and hushed voices

we know.

Because my eye is swollen and red
itching
covered in soapy film-like filter haze

light, burning in dark corners
sacrificing the whole to collages

no context or message.

Because it all happens
when we don’t look.

Them verticals

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Photography by Jonas Rask

The breaking wave and the muscle as it contracts obey the same law. Delicate line gathers the body’s total strength in a bold balance. Shall my soul meet so severe a curve, journeying on its way to form?
— Dag Hammarskjold

Direct Sunlight

Direct Sunlight

Sometimes, it's an accidental discovery.

We spent Easter with friends in the small town of Mudgee, New South Wales - a 4h drive from Sydney, over the Blue Mountains - but it was an artwork I'd stumbled across days before, down a laneway near home, that stuck in my mind while I was there.

DIRECT SUNLIGHT, it read - painted on the street, in an alley so narrow it would hardly ever actually get sun, except the way it did when I was there: bounced off the windows of a building.

But the rest of us do, in this country. You can hardly avoid it.

It defines the place.

Removing Clutter

Jane Bown is one of my principal inspirations.  Although her images were more portrait orientated, I still consider them to have great narrative and context well beyond a formal photograph.

The quote at the beginning of this article from Jane strikes a chord with me.  The camera market these days is like a fast-moving train.  Every month there seem to be new releases from all the main manufacturers; each proclaiming the newest camera will be better and faster and give you the ability to make better pictures.

And of course, from a technical standpoint, this may be true - especially for technical photography genres like Sports, Wildlife, Astro-photography etc.

Though the images that speak to me are always ones that have personality, depth, emotion and often..... no colour.

Take a Hike

BY BERT STEPHANI

As the kids get older, it's getting harder each year to do something together with the five of us. Holidays yes, sharing a great meal, sure ... but conflicting schedules, abilities and interests don't make it easy to find something we all enjoy for a full day.  So whenever the stars all align and we get to do such an activity, I enjoy it greatly. Last week a friend took us for a day hike to the High Fens.

When we arrived it was bitter cold and the puddles were coated with a tin sheet of ice. But the landscape was breathtaking and we had it pretty much all to ourselves. As the day went on and the miles passed under our boots, it got warmer and at the end we even enjoyed that spring feeling. 

I'm sure the hike was pretty challenging for a 10 year old, rather boring for a 13 year old and way too easy for a 15 year old. But the fact that all of us are willing to compromise a bit in order to enjoy it as a family means the world to me. 

This hike was a present to me from my kids and my girlfriend. It was also a reward for me by the guy who's trying to get me back in shape. I've been working out, changing my eating habits and optimizing my routines under the watchful eye of Bert (good name) for close to a month now. I still have a long way to go and a lot of hard work in front of me. But this hike showed me that I've already improved a great deal. 

It feels great to enjoy hikes again and it's even greater with the support of my family. 

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