THE CHAIN
Stories, intertwined.
I got a message recently from my sister in Toronto, to say that our dad’s gravestone had been installed in the cemetery where we laid him to rest one snowy day last year, before the pandemic began.
She’d also found an older family plot, in a different part of the same cemetery, and had spent a day there cleaning up the monument—and unearthing the stones of some of our ancestors that had been covered in dirt and grass, over many years…
My biggest chance to shoot has been when my nephew (for whom we’re a support bubble) has come to stay for a few days. Eager for any opportunity to go out and shoot and with my newly purchased X-E4 to try out he has been my little muse for these government-enforced dry spells. And, whilst my ever-patient nephew has generally accepted my photographing pretty much his every movement with a winning-smile (or at worst, a disdained stare), there is just one caveat on which he insists … “PESE CAN WE GO TO THE PAAAARK DADA?”
A little while ago I found an essay online, written by my grandfather.
I never met him, he died in 1960, almost a decade before I was born; but through an accident of timing, he spent WWI in a German prison camp. Instead of becoming a concert pianist, which is what he was studying there at the time, he became a psychologist and professor, and wrote a book about the society that sprang up in the camp in the years he was held.
Later, while working for the Canadian government during WWII, he wrote for Maclean’s magazine about how difficult it was going to be for the soldiers and prisoners returning from the war, the trouble they would inevitably have returning from that experience to “polite society”, and how their imaginations of life back at home after all that time away would inevitably lead to disappointment with the real thing.
I think that’s what the return to relative normalcy will be like for all of us, as the pandemic starts to get under control around the world…
