Mental State

Mental State

Hartwood Hospital was a mental health hospital until it closed in 1998. It now sits derelict. Nature is reclaiming it day by day. Trees grow inside each of the structures, in some cases taller than the buildings themselves, protruding where roofs once kept out the rain and snow.

Now it sits vacant, with the promise of redevelopment, a promise that grows increasingly doubtful with each passing year. Signs warn of Japanese knotweed on the massive site. Fires break out every few years from would-be arsonists, and who knows what else goes on inside those walls. I visited during a recent snowfall and saw many footprints entering through forced gaps in the security fences.

The railway built access ramps to the local train station many years ago, but who knows if that will ever be used. When you walk these grounds, you might pass a local dog walker, but mostly you are alone with your own thoughts and the sounds of the crows flying in and out of the smashed clock tower. It’s their home now.

PHOTOGRATHERAPIE

By vincent baldensperger

Intelligence Artificielle es-tu là ?
La frontière nette et infranchissable est bien réelle dans cet “exercice” où l’Humain parle à l’Humain.
Ni algorithme, ni trucage, ni manipulation, ni montage farfelu, la feuille de route partagée c’est ce que TU es, ce que JE vois, ce que TU dis en silence,
ce que J’entends émotionnellement.

Cette séance de portrait est particulière. En collaboration avec Séverine, praticienne en soins énergétiques,
les photos réalisées entre-ouvrent ou ouvrent des portes closes, laissent dans leurs sillages je l’espère, de claires empreintes, un portrait adoucit,
un élan spontané vers plus de bienveillance personnelle, une légèreté marquée pour aujourd’hui et demain.

Ceci n’est pas de la Photothérapie, juste un accompagnement silencieux et pourtant profondément riche.

This Impermanent Life

I have since learned that every paradise is like that: modest and fleeting.
— Papyrus - Irene Vallejo

Two schools of thought. The first pretends we never fade, never falter. That we go forth gracefully, forever filled with promise, awe and infinite potential always near, the next triumph within our grasp, until the day we die. The other contends that we must face our finitude. That we age and our powers will diminish, regardless of how much we rage, rage against the dying of the light. Time, in either case, is unshakable.

During our group discussions for this new string of publishing, I mentioned, at one point, how it was very likely that my best work might be behind me. I didn't mean it as a negative, and I wasn't fishing for sympathy. This wasn't "giving up", either—just an acknowledgement, really. I don't think genius cares about age or time, but I do believe we fly towards an apex until we begin the unavoidable dive. Where the arc will bend is unknown, and it could very well happen late in life. Grandma Moses comes to mind. What I'm absolutely certain of, however, is that in every artist's life comes a period of perfection. A confluence. The point where the compounding effects of inspiration, urgency, and abilities, come together and explode. For most of us it's likely to be a private experience, away from the public sphere. An echo lost on anonymous trails. For the uniquely lucky few, the personal arc might even become a wave and the moment repeats, exhausting its power across mountains and valleys instead of a single curve. Until the pattern dissolves—an extension, sure, but still finite.

We share our filter, our way of seeing, in order to spark an echo in others. Art is a reverberation of an impermanent life
— The Creative Act - Rick Rubin

Serge Fiori, a famous Quebec singer, passed away on June 24, 2025. He'd been a cultural giant, the kind whose arc bends an entire nation along with it. But he'd reached those heights early in life. In an interview following his death, his long-time friend and manager told a story: they were listening to L'Heptade, the final album by his 1970s uber-iconic group Harmonium, when Fiori looked at him and sighed ...What more could I have done?

Acceptance. Pride, perhaps, but judging by his friend's account, tinged with melancholy. I couldn't help but wonder when, exactly, he'd felt the weight of this singular achievement. Because how do you wrestle with that? With the knowledge that you created that rare cornerstone, an album that transcends generations, your ultimate statement... and that you did it before your twenty-fifth birthday? I can't imagine. I think you go on, but you do so sensing the downward shift, an incline now ushering you away from the stars.

This raises an important question, though. If nothing any of us does has any significance, provided you zoom our far enough, what’s the point of doing anything?
— Meditations for Mortals - Oliver Burkeman

For many—too many—years, I've lingered on the futility of marking territories bound to ultimately disperse in the vastness of space. It was an internal argument always focused on the harshness of impermanence—our own, but also of all things. A personal rebellion that would fuel wild swings between urgency and apathy. But I've changed. Impermanence imbues creation with meaning, not pointlessness. We bask in the light when it shines, harness lightning when it hits, or absorb the shadows; but we go on scratching the walls of our cave, regardless.

So we may call ourselves explorers
in the end having done
all we could've done.

Reframing Spain

Reframing Spain

I sometimes see photography as solving a riddle.

You’re faced with near-infinite possibilities every time you look around with a camera in your hand; what lens, what shutter speed, what perspective, what to include and exclude, whether to wait for the light to change—but if you’re like me and have (almost) always used cameras with a sensor based on 35mm film, the one constant has been the shape and proportion of the frame. That’s what the X-Pan gave me all those years ago: a new riddle to solve.

So in the absence of a camera that forced the new perspective on me, I improvised—and it turns out the old riddle was there all along, I just needed to find it; and all it took was a trip around the world to prompt me to go looking for it again…

The Remains Of The Bay

The Remains Of The Bay

It’s been a funny time to be Canadian, lately.

Even watching from afar, the renewed passion for our home and native land (as the national anthem says) has been startling to see, as threats to make the country “the 51st state” have come from south of the border. Think pieces in august publications like The Atlantic have even discussed what an invasion—however unlikely it seems—might look like, if the trade war became a real one.

And the reaction has been passionate. Canadians have always loved the maple leaf on our flag, but the addition of the phrase ‘elbows up’—a hockey defence for when you’re being charged by an opponent, meaning the first thing they’ll hit is a nice sharp elbow.