Proof Of Life

Proof Of Life

Like a lot of cities, the real estate market in Sydney's inner suburbs seems to live by its own rules.

The character of Surry Hills is changing rapidly. While a lot of the buildings are of a similar style, 100-year-old worker's cottages, their condition veers wildly, from run-down student share houses with tattered flags in the window, to million dollar renovations with sports cars and SUVs parked out front.

This was never more apparent than recently, when the home of Natalie Jean Wood was put up for sale, after she was found to have died in her bed - eight years previously - and never been reported missing, or checked on by family or friends, in that time.

Space Time

PHOTOGRAPHY AND TEXT BY DEREK CLARK

What happened to Time? There used to be so much, and most of it was free. There was always another day. No need to rush! Don't do today what you can put off till tomorrow! Long summers and a lifetime between each Christmas. Mum and dad  stopping at another cafe and they always take too long! We still have hours in the back of the car and the 8-track cassette of Dean Martin goes round and round endlessly, click after click.

"Are we nearly there yet?"

Fast forward in more ways than one. Let's go, we don't have all day. Time is money and they run out as fast as each other. Shoot, edit. Shoot, edit edit. Shoot, edit edit edit. Multiple mouse clicks to every tick of the clock.
Time for dancing, time for swimming. Time for dad's taxi.
The end of yet another year hurtles towards us, like space debris heading to Explorer.

"We have to go, we have to go go go!".

The past is a blur!

The present can't be opened!

The future isn't what it used to be!

The Way We Look, Tonight

The Way We Look, Tonight

There are always two sides to every event, a wise photographer once told me; there's what's happening, and then there's the audience's reaction to what's happening.

I often say to my friends, you can tell when I've had a really good time at something, because there aren't any photos of it. By which I mean, I've been so caught up in whatever it was - a concert, a party, a dinner with friends - that I never once thought about documenting it for others, or for myself in the future...

40 Years On

Photography and Text By Derek Clark

1976 was the ultimate long hot summer in Scotland. It seemed to go on forever and the school holidays, for once, coincided with the good weather. I spent three weeks of those holidays with my family on a campsite at the edge of Loch Long (a loch is like a lake only more Scottish:o).

We would spend as much time playing in the water as possible, cooling off as we screamed and laughed for most of the day. Then, without warning, a siren would sound from the opposite end of the loch, a noise that wouldn't be out of place during a WWII air-raid. A voice would call out "Torpedo" followed by at least another twenty people calling out the word again. We would then get out of the water, onto the beach and wait patiently. Several minutes would pass and then the siren would sound again to signal that it was safe to go back in the water. It could be a little annoying when this happened again and again, but as kids, we also thought it was kinda cool that the torpedo base had just fired a test shot beneath the dark salt water. We always looked for a sign, but of course all the action happened way below the surface.

The torpedo base was operational between 1912 and 1986 and 12,000 torpedoes were said to have been fired down the loch in 1944 alone. I went back to photograph it forty years after that long hot summer and thirty years since closing. Fire had already ripped through the base and part of it had been demolished. Graffiti artists had made their mark and vandals had smashed every window. It's only a matter of time until what's left of the base is gone forever.

As a boy, I had seen this base as a dark and secretive place. Who knew what went on it there. I would often fantasise that it was full of spies and James Bond type characters. But it's 40 years on and I'm seeing it in a new light. Another part of my childhood gone. The future isn't what it used to be!

Renewtown

Renewtown

It seems like a lot of cities of a certain age have a suburb named Newtown - or Villeneuve, or the local equivalent. The general rule seems to be that they're usually the second centre to be created, after the main downtown area becomes established; so, most often, they're just a little more than walking distance from the core of the city, but easily accessible by modern transportation.

Somehow though, that distance acts as a barrier just long enough for them to get a bit run down, to lag behind the modernisation or gentrification that hits the closer suburbs first. So, they're the last bastion of the independent shopkeep, the stores set up thirty to fifty years ago in the one location, who are still hanging on - even as the shopping malls and megastores spring up nearby...

Waiting for the Parade

Waiting for the Parade

Sydney's Gay & Lesbian Mardi Gras is known around the world for the outstanding costumes and colour in the annual parade down Oxford Street; but I've found the audience is quite often as impressive as the participants.

Being such a popular event, it brings people from around the globe - indeed, I was saying to a neighbour that the spare bedrooms of Sydney are filled to bursting, that weekend - and an incredible volume of feathers, fake fur, wigs, and most of all glitter are put to use in ways they may or may not have been designed for...

In Wet Chaos of Shinjuku

Text and photography by Patrick La Roque

"Piss off!" he says "We're not here for that...we're not here for that!"
Hollering prince hustlers of black phantom clouds & alleys
We're here to drown man
We're here to wallow & thrust in technicolor lightning neon
Watch compressed masses assemble, watch arcade dramas unfold
Watch & watch & watch some more.
Three piece suit throwing up on pavement shoes   heretic friend laughing his ass off
Hands on fire in a hallowed rain
Pouring
Wild & unstable as dynamite.

We want long legs around our necks
Trapped in the 50mm eye
Of sunless days & immaculate shut downs.

Drenched maniacs fighting off furies
To rise
& rise & ride
In wet chaos
Of Shinjuku.


Landscapes of Memory II

Text and photography by Charlene Winfred

You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.
— Rebecca Solnit

This is the space in between the hallowed and the sacrificial.

History, the ligature of memory; that which gives life, and sucks it out of the marrow. A spectre hounding you in the night. 

Terror.

Self.

Home.


Essentielles

Text and photography by Vincent Baldensperger

Clémence et Julien partagent la même passion, la Nature. Ici et là, de la Montagne Noire aux massifs de la Corse, elle distille ses parfums selon les saisons et offre ses richesses à ces deux amoureux des grands espaces. Cueillette sauvage, distillation traditionnelle, leur savoir-faire est précieux, tout autant que les élixirs rares recueillis tout au long de l'année.

Automne sur le massif de La Clape, souffle parfumé d'aromates sauvages, la récolte artisanale de romarin débute sous un soleil toujours estival.

Clémence and Julien share a passion: Nature. Here and there, from the Black Mountain to the summits of Corsica she distills her fragrances with each passing season, offering her riches to these lovers of the wide-open spaces. Wild picking, traditional distillment, their knowledge is as precious as the rare elixirs harvested throughout the year.

Autumn on La Clape, a wind laden with wild scents, the harvest of rosemary begins under a sun still hinting at summer.

Décembre 2015, solstice, en plein cœur de la Montagne Noire, chacun recueille avec adresse quelques kilos de sapin blanc et profite pendant quelques heures de délicates senteurs agrumes et boisées...

 December 2015. Solstice in the heart of the Black Mountain. Each collects a few kilos of white pine, enjoys a few hours of citrus and woodsy fragrances...

Waitangi Day, Sydney

Waitangi Day, Sydney

Waitangi Day, 6 February, celebrates the anniversary of the signing of the Treaty of Waitangi between the Crown and 500 Māori chiefs in 1840, which - depending on the translation - allowed the English to remain in Aotearoa and act as administrators for the new country, or else handed sovereignty of the islands to Queen Victoria. The political history of New Zealand since then has revolved around the difference between those two versions of the one agreement.

So when I heard about the celebrations here in Sydney, I wondered what it would be like to celebrate this national day in another country - Australia - with a different history. And I wondered how the Tangata Whenua - 'the people of the land' - fit in, and celebrated their culture, on someone else's turf...