Chemistry

By Patrick La Roque

I took numerous drugs when I was younger. I’m not bragging. Times were different, the risks were known but more foolishly dismissed. Plus, I was in a band (s), I’d read Huxley and Baudelaire, and various books on tribal rituals typically involving vast amounts of peyote or mushrooms. Both were eventually on the menu. I naively considered myself an explorer, buying into the myth of artist as wildling, forced to the dark, and necessary, outskirts of humanity. I was a dumb kid. I was invincible. 

Most of us made it through unscathed—but most isn’t all. We saw one friend sink into addiction, step by fateful step. We heard the empty promises, and the pleas for cash, just this once, I swear, last time… until nothing was left but a shadow.

Two months ago, I started taking medication to help with long-standing sleep issues. It worked. I even wrote about this glowingly on my blog, waxing poetic about “finding myself” again. But recently, its effects changed. Something was off. So I stopped.

I’d never experienced withdrawal. Despite all the junk I’d pumped into myself for years, my body had never needed any substance to the point of becoming sick once deprived. This week, it did. The medication doesn’t cause addiction, it’s not an opioid, and you don’t find yourself craving it. But clearly, the body reacts when it no longer gets its daily dose. This happens with coffee, so I wasn’t all that surprised. But it took two days for these symptoms to subside, and for me to feel quasi-normal again. Two days of chills and weird headaches and fog and jitters and heart palpitations. Enough to cause concern and start questioning where you’re headed.

Never again.

So this was an odd week to start a new project, but I’m grateful. Because photography is, I think, a form of mind-wandering for me. It’s a physical release valve, very close to the act of daydreaming.

Here’s to small (but essential) moments of wanderlust.

P.S The grid doesn’t allow a 4:5 ratio: click on the images for their actual frame.

Stark, Harsh

Stark, Harsh

Summer in Sydney is a test of how well you can avoid the harsh sun. We haven’t had any days over 40° (yet) here this year, it’s still possible though.

But what I find fascinating about those days when the sun beats down is the absolute starkness of the light, the contrast it creates—and its effect not just on people but the whole environment…

Derek's Letter of Intent

Mechanics cars tend to be in dire need of repair. Who wants to fix their own car after spending all day fixing other peoples cars in the freezing cold of winter?

This is where I find myself. I spend Monday to Friday every week either shooting pictures and video or editing them (all for other people). Weekends are mostly free with the family, but picking up a camera to shoot personal stuff doesn’t enter my mind much these days. Worse than that, the thought of having to edit any personal pictures, after spending too many hours in front of computer screens doesn’t exactly thrill me.

I miss photography for the sheer pleasure of it! I miss the challenges we used to set as a group here at Kage. We always produced when we had deadlines, themes, and quite often limitations. These haven’t been happening for a while now and we have grinded to a halt.

My two favourite cameras (of all time) are the X-Pro2 and the X100V. My favourite lenses to shoot personal work is the Fujicron’s (X-series has always been about small size for me). So my self imposed limitations for this project will be the following:

Week 1 - 28mm (full-frame) using the X-Pro2 & 18/2

Week 2 - 35mm (full-frame) using the X100V (possibly the X100F too)

Week 3 - 50mm (full-frame) using the X-Pro2 & 35/2

Week 4 - 75mm (full-frame) using the X-Pro2 & 50/2

Having just bought a new Nord Wave 2 synthesiser and been blown away by the quality of the sound it can create, I would love to incorporate some music in some way. But this is just hope and at the end of the day, I probably won’t have time. We’ll see.

As for what I will shoot…I have no idea at this point. It might just be a series of random snapshots in the end, but it will be February 2022

Good luck to my fellow Kage members. Good luck to all that are struggling.

Derek Clark

January 30th 2022

Patrick's Letter of Intent

Photo book fragment.

My life has never felt so small. I don’t say this to elicit pity, or to pull at anyone’s heartstrings because I know bloody well how insignificant this really is. And I know bloody well that I’ve written about it before, two, three times during Our Great Pandemic Era; my feelings. Ugh. Those intangibles that have now replaced experiences, and physicality, and matter and touch and smells, in our receding world. 

Some nights we’ll watch a documentary, Cynthia and I, and stare at those images of far away lands, on the bright, backlit screen/window/escape-hatch, like we’re gazing at outer planets, in another star system. Mouth agape. Ingesting. Passive. 

So yeah, enough already.

...

I’d love to tell you about spectacular plans, and how this project is about to re-ignite the fire, still hot and simmering underneath. But all I have right now is a promise—to our group and to myself. It’s a promise to show up, whatever the results may be. As you’ve probably read, we’re keeping the parameters wide-open on this one. In fact, there are none. We’re all free to set our own goals, to pursue what feels right. I’ve decided to go with a specific framework:

  • GFX 50S

  • An old Pentax 50 mm f/1.7 lens (so I’ll be using manual focus).

  • Portrait-orientation only.

  • 5:4 aspect ratio.

  • A piano improv to accompany each post.

  • Publish every Friday (in February).

Why portrait-orientation? Because holy crap, I almost NEVER shoot that way. I mean, seriously, I can probably count the pictures on my ten fingers—well, maybe I need to include toes but still. It’s something I’ve recently become very aware of, and it bugs me. It’s a massive gap I now wish to fill.

Beyond this, I don’t know. It’s the dead of winter here, full of wind and frostbite, and I don’t expect much to change in the next few weeks. Not just the weather…anything. But I will be here—for better or worse.
Circling the stars.

Patrick La Roque
January 26th, 2022

Kevin's Letter of Intent

If this lovely lady can run a marathon, I can pick up my camera again.

For the duration of the pandemic, I’ve been concentrating on keeping healthy, both from a physical point of view and a business point of view.

It hasn’t been easy. But here we are, almost forty years after the pandemic began…….time to hitch on those running shorts, take a deep breath and hit the road again.

 

Kevin Mullins
28th January 2022

Robert's Letter of Intent

Robert's Letter of Intent

It’s been a while.

To be honest, it’s been SO long, I had to look up my own essays on this very site to see when the last one was, and what it was about. (It was June 2021, actually.)

We’ve all been distracted, diverted, disturbed from our usual patterns. Work has started up, work has shut down, work has started up again only to be shut down again…

Vincent's Letter of Intent

20?? « Le possible, cette fenêtre du rêve ouverte sur le réel »

Rêvons donc de tous les possibles, chaque jour un pas, et qu’importe la destination. Construisons notre chemin comme on le désire. J’apprend à vivre le présent, et qu’est-ce que la photo si ce n’est l’instant présent ? Cette période est propice à tous les apprentissages, à tous les rêves. Une seconde d’hier, c’est une seconde d’aujourd’hui comme de demain. Seule celle-ci est vivante. Demain n’existe pas.

Comme pour chaque nouveau projet, pour chaque nouvelle image, tout est découverte. Je partagerai ce mois-ci en toute simplicité et au plus près du réel, mes coups de coeur pour des sujets sensibles, peut-être pas uniquement de nouvelles photos. Reportages, portraits, mini séries… Je sais que l’on y verra des femmes et hommes, je sais que l’on y découvrira des animaux, des natures plus vivantes que mortes aussi, je sais que couleur et noir et blanc alterneront, je sais que j’ai plus à montrer qu’à écrire…
« Scio me nihil scrire », je sais que je ne sais rien.

Vincent Baldensperger
January 31th, 2022

Dominique's Letter of Intent

January (typically something of a more relaxed wind-down point for us before gently floating down into a new wedding season) has this year launched like an absolute rocket. With February set to follow in much the same orbit I can only hope the rocket in question is a reusable model with precision landing capabilities. Currently the flight plan includes writing two new presentations for real-life conferences (remember those?) in Dublin and Barcelona, shooting some weddings, preparing a new website for launch, reviewing last year’s work, getting the studio back in order after a government-enforced hiatus and some exciting yet challenging projects that are already underway. So with the voyage exciting but boosters already preparing to jettison my first instinct about discussions of getting Kage creating again was “Houston we have a problem.”

I’ve never been one to shy away from a challenge though and I’m thrilled that we are “getting the band back together” after one of the strangest spells in international living memory. And with no rules set to this particular Kage project I’ve decided that the best solution to force me to be more creative with less time is to take a slightly different approach to things.

The black-hole that consumes much of my time in photography (and yes there is still always enough time to torture a metaphor) is the development stage. Selecting and processing images is far from where my passions lie so for this project I’ve decided to remove that particular obstacle and give myself permission to just shoot by only using my Instax Mini 90. I love that the instancy of the self-printing camera means I can’t over-think it - there’s no possibility of rescuing an image in the edit, not even the leniency of developing the film to my own tastes. It’s just my eye to the camera - my world through a tiny window.

To paraphrase Bowie “I hope my spaceship knows which way to go.”




Dominique Shaw
January 30th, 2022

Bert's Letter of Intent

I want to spend the month of February with a camera in my hands, shooting anything and everything. Big concepts are not for me, certainly not this time. I just want to experiment, create and have fun with photography again. I’ve been inspired by many things lately and I want to see what I can do with that inspiration. Most of my days are spent inside my home behind the computer but I don’t want to use it as an excuse. Either I just find something to shoot at home or force myself to go out and interact with the world again. Photography to me is much more than the resulting images. It’s a way to understand, interact and communicate.

The choice of the right gear for a project, or even a short trip to town has always been a huge, stressy decision making process that could take days of pondering. I’m well aware that that is just crazy and I was tired of myself making such a fuss about it. Therefor I decided at the end of 2021 to simplify my goto setup and stick to it.

For many years, the 50mm equivalent has been my preferred focal length. It’s simply the way that I look at the world. It’s not a spectacular lens but I feel it offers the most authentic view. I recently invested in not one but two 50mm equivalent lenses to have the absolute best tools for my use. For my portrait work, my main lens is the Mitakon 65mm F1.4 (used on the GFX50R). The new Fujinon 33mm F1.4 (on the X-Pro3 or X-T3) is my main lens for reportage and personal photography. The curve ball in my goto setup is the X100V. It’s slightly wider than my preferred focal lens but it’s close enough, small, handy and capable. That makes it the perfect camera to take with me when I’m out and about.

My simplified setup is not a dogma, it’s just my way to focus and not lose time and energy in pondering over what to shoot with. I will use other lenses when I have a good reason for it. But so far, the strategy has worked for me.  

The end results are of little importance to me, it’s about the creative process itself. If I have made some nice images by the 28th of February, that’s cool. But what’s important is that I’ll have learned something. I don’t just want to get myself fired up again, I really hope this project will light a fire under this wonderful group of photographers. The KAGE Collective is too valuable to just sit idle.

That said, I’m looking forward to shoot, write, look at the work of the group and discuss it on a regular bases. I don’t know what the project will look like but I’m convinced it’s going to be an interesting vignette of the lives of this bunch.

Bert Stephani
January 27th 2022