35mmf1/4

Just ... Simple

BY BERT STEPHANI

A friend asked me to show him how to shoot simple, elegant portraits and so he set up a shoot for us with a lovely young German student. In a way this was pure comfort zone stuff for me but it made me become aware that I’m often overthinking portraiture. In the pursuit of killer-images my mind gets away from the person in front of my camera. For this series I kept it super simple: My X-Pro2, the 35mm 1.4 and the 56mm 1.2 and a big window.

My friend’s next question was: what if I don’t have a window? I usually don’t light with a huge soft light source because it just seems too easy. But why would that be a bad thing? I hadn’t used a softlighter-type modifier for ages because it’s impossible to control. But on the other hand, it just pumps out a bunch of pretty light which gave me and my subject room to move.

We then went outside in a non-descript residential area to see if we could find good light and interesting backgrounds there. I think we did.

In many ways this shoot was effortless and if the wheels in my head were spinning it was just because I was trying to explain how my intuition works to my friend. I was pleasantly surprised by how the images came out and how enjoyable the process was. I’ll keep it in mind not always to try so hard but just enjoy the shoot, the light, the company.

And on the Seventh Day

BY BERT STEPHANI

STEPHANI-7thday-04.jpg

Like in pretty much every country in the world, consuming is the national occupation of choice in Belgium. But on Sundays consumerism takes a break. There are exceptions but by law, stores have to close on Sunday. There’s a lot of pressure on the government to loosen or even completely change the rules. Multinationals have to feed their ever growing machines and consumers want to shop 24/7.

But honestly, it’s not so bad to be unable to buy more meaningless stuff once a week.

My oldest working digital camera is the X-Pro1 and my oldest lens for that camera is the 35mm F1.4, so that’s what I used for these pictures. The viewfinder is a bit low res and the controls are a little sluggish in 2019. But if I’m completely honest, I could probably still do 80% of my photo work with this “old” combination. The original X-Pro forces you to slow down and that’s necessarily not a bad thing. Shooting this story reminded me how enjoyable the slow simplicity can be. My X-Pro1 was pretty much retired, but it’s still way too good to sit in the back of my cupboard.

October 9, 2018 at 10:08 AM (Otterburn Park, Canada)

By Patrick La Roque

Every day we attach pieces of ourselves to others. To the people we love, to our parents, to the pets we adopt and care for...to our children, most of all, even as they race away into the unknown. Sometimes a small part of us will remain hidden, bound halfway around the globe—as we stretch across this universe, our skin ever thinner and more fragile. Vitruvian men, quartered and stoned.

These intimate spaces and moments we inhabit will fade. We will face regrets and limitless joys.
And we will face change.
We will always face change.